Festiva delle Colline Torinesi


The Festival delle Colline Torinesi was born in 1996 on the initiative of Sergio Ariotti, Isabella Lagattolla and the Association of the same name to propose actor rehearsals in the summer and enhance with them the villas, castles, churches, and villages of the hills around Turin, on the right bank of the Po River. The Festival's artistic evolution has led it in recent years to qualify as a recognized European showcase of contemporary creation, of a more experimental and innovative theater. The images that make up this portfolio were taken during the 2011 performances, an edition marked by a maritime flag, a blue-colored cross on a white background, meaning, "Suspend what you are doing and pay attention to my signals."

The Festival delle Colline Torinesi was born in 1996 on the initiative of Sergio Ariotti, Isabella Lagattolla and the Association of the same name to propose actor rehearsals in the summer and enhance with them the villas, castles, churches, and villages of the hills around Turin, on the right bank of the Po River. The Festival’s artistic evolution has led it in recent years to qualify as a recognized European showcase of contemporary creation, of a more experimental and innovative theater.
The images that make up this portfolio were taken during the 2011 performances, an edition marked by a maritime flag, a blue-colored cross on a white background, meaning, “Suspend what you are doing and pay attention to my signals.”
In 2011, L’entetement, the premiere of Rafael Spregelburd’s text in the staging signed by Marcial di Fonzo Bo and Elise Vigier, stands out.
But it is also the year of the resounding success of Alexis by the Motus company, a show destined for great international venues, from New York to Paris, from Buenos Aires to Australia.